The Tree of Life

If I were to describe this film in one word, that word would be “overrated.”  On further reflection, however, words such as “disjoint,” “muddled,” “confused,” and “pretentious” would suffice as well.  The only problem is that none of those words carry the same weight of disappointment that came upon me after the final twenty-some minute long climax and dénouement had finally croaked its weariness into the comforting blackness of the closing credits.  Then again, perhaps that simply describes Terence Malick’s game face in general. Read more of this post

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Black Rock Shooter

Released in July of 2010 after some amount of hype, Black Rock Shooter is an OVA scripted by the respected Nagaru Tanigawa (Haruhi Suzumiya novels) and directed by relative newcomer Shinobu Yoshioka.  Although there isn’t much to anticipate from Yoshioka’s side—seeing as how he’d mostly worked as staff on other projects but none featured him in a leading role—Tanigawa’s involvement is enough to spark most fans’ interests.  Well, any who has enjoyed the Haruhi Suzumiya franchise, both its television series adaptations and original novel source material.  Although the storyline of the novel series hasn’t yet reached completion, Tanigawa has proven himself a capable writer with Haruhi’s rather intriguing thriller-like narrative, balancing the serious against the mundane with what seems like effortless ability.

So although expectations for Black Rock Shooter may have been somewhat high, I don’t mean to imply that anyone was expecting the next Yuasa artfilm out of this OVA.  At the most, a thrilling, action-packed, balanced story with at least marginally strong characters were of foremost importance and likely guaranteed based on Tanigawa’s track record.  And suffice to say, these aspects were certainly delivered—just not that well.  For all of its pretenses and for everything it DID manage to do well, Black Rock Shooter remains surprisingly unremarkable and dull. Read more of this post