AKIRA

Japan; Science Fiction; 125 minutes; Produced by Ryōhei Suzuki, Shunzō Katō; Based on the graphic Novel by Katsuhiro Otomo; Written and Directed by Katsuhiro Otomo

The year was 2007, I was close to ending my first year in film school, and I hated anime. I didn’t just dislike anime, or was merely uninterested in anime, I had a burning hatred toward any Japanese animated product I had ever seen. Sure, I was into the Digimon merchandise back as a kid, but never saw any of the shows. And after seeing other stupid Japanese shows like Yu-Gi-Oh and Dinosaur King, I never wanted to. To my naïve brain, this is all Japanese animation was about: 30 minute time slots for poorly written merchandise commercials.

That is until I met this guy while volunteering for various stage drama activities. He seemed rather knowledgeable about film, so we got along very well. Then I found out he liked anime. I was dumbfounded. How can someone so smart enjoy watching such crap? Upon my inquiry he merely responded, “Oh, you just need to see good filmmaking.” I never told him but I spend the next couple days muttering the likes of “What does he know? I’m in film school. I know more about good filmmaking than he’d ever wish to know.”

He had mentioned several anime features, but the name that mysteriously stuck in my head was AKIRA. So when I saw the film on DVD at the school library I decided I’d watch it and tell off this otaku about the difference between good filmmaking and Japanese cartoons. I also picked up Koyaanisqatsi and Russian Ark that day just so I could build up a good arsenal of examples of what good filmmaking actually is. Read more of this post