La Noire de…

Sembène’s treatment of voice in La Noire de… is established at the film’s outset by coordinating Diouna’s question, “Will someone be waiting for me?”, with the back and forth movements of her searching head. This traditional rhythm of back and forth, question and answer, is expressed again in the film’s overall narrative structure: Diouna’s immediate experiences and troubled interior dialogue find answer in her memories. In this sense, La Noire de… is a film that—although markedly imbued with a rare primacy of the present—holds truth in its own prefigured past. Read more of this post